Purple Fringed Orchid |
Focus on the unique:
This image of a purple-fringed
orchid highlights the intricate fringes of the orchid. By taking a profile view
of the flower head and by eliminating any background detail that would distract
or obscure the blossom, the fine structure of the fringes are highlighted. On a
deeper level, to me, the flowers resemble angels with out-stretched wings.
White Avens |
Negative Space:
In this image, a lone white avens sits by itself on a stem. When photographing a flower, it’s common to fill up the entire frame with the subject. But negative space, the area between and around the subject, often puts not less but more emphasis on the subject. In addition, the negative space assumes its own meaning. The image suggests that the flower is reaching out into a nebulous void in search of something enigmatic.
Wild Columbine |
Concentrate on the Bokeh:
Bokeh
(pronounced Bough-kay) is a Japanese term for the subjective aesthetic quality
of out-of-focus areas of a photographic image. Simply put, it is “the
background blur.” Bokeh is a powerful tool that can richly add meaning to a
wildflower image. This is an image of a wild columbine. They are by nature a
very showy flower and can grow prolifically. In a patch of wild columbine, all
the blossoms seem to shout for attention. I lined up the background and
adjusted the blur, the bokeh, in this image to showcase the bloom—to let it
“show-off.”
Leave Areas Out of Focus:
It seems counter-intuitive not to put an
entire flower blossom into clear focus. Yet, leaving part of the blossom softly
out of focus has a strong artistic effect. On one hand, the portion of the
flower that is in focus catches the eye and becomes the center of attention.
Meanwhile the soft focus region instills depth to the image, creating, in
effect, a three-dimensional feel.
Turk's Cap Lily |
Black Backgrounds:
A
colorful flower, such as this turk’s-cap lily, set against a black background
almost always produces a stunning image. In the studio, background color is
easy to control. In the wild, it takes more thought and technique. To achieve a
black background in the field, I lined up the shot so the flower was set in
front of the darkest background I could find. Then I set my light meter on spot
metering and centered it on the flower blossom. In full sun, the showy flower
was the brightest subject. My camera automatically lowered the exposure level
of the whole image, so the bright blossom was not over exposed while darkening
the background.
Tall Ironweed |
Maximize the Macro:
Macro settings and lenses allow for extreme close-ups, which enlarge the minute details of a wildflower bloom. The tall ironweed pictured here stood alone in a large field. A photograph of the whole plant or even the entire blossom head might not have been very interesting. But the macro lens image highlighted the fascinating and intricate flower structure. Frankly, I had not realized before the beauty inherent in the complex design of the ironweed wildflower. Although macro photography can be revealing, it can also be overdone. In my opinion, wildflower photography is not primarily an exercise in macro photography.
Showy Sunflowers |
Include Context:
A
macro of one of these showy sunflowers might have made a good image. But
wildflower photography is naturally done in the wild. Capturing where
wildflowers live, their context so to speak, is important to me. So I chose to
put the lead flower in focus and let the others illustrate the beauty of the
whole stand of flowers.
Deptford Pink |
Combine Ideas:
The blossom
in this image is a deptford pink, which is no larger than the tip of your
little finger. Yet, the fine detail of the flower is amazing. In this image I
tried to apply multiple ideas to bring out the best of this small wonder. I
used a macro lens to capture the fine detail of the flower. But I gave the
blossom some negative space to showcase its angular, grass-like structure. And
I employed the bokeh by varying the patches of background color. The light
yellow on the right profiles the newly forming bud while the green on the left
makes the pink flower stand out.